The Guardian and Katrina — by New Orleans artist Karen Cauvin Eustis
She has been a treasure sent to me through divine inspiration.

All of my work is about my personal spiritual journey, but this piece has been the

most challenging of my growth, just as these post-Katrina times.
 
 
 
She was like a fairy - a dragonfly - something people would fantasize over -
 
"The Guardian" sculpture was to be installed the day after Katrina.

I was having great difficulty.
Just experiencing Katrina and its devastation has been torturous enough,
but second guessing the whole spiritual experience has been a test for me.
The Guardian evolved over a two year period. She began innocently enough. We were building a swimming pool on Beach Blvd. in Waveland, Mississippi. Our beach house was an idyllic retreat. As we added the pool to the mix, ideas of a grand sculpture piece was a natural for me. I clearly could see a fairy-type figure, lazing away her days, gazing out at the beach and gulf.

I started thinking of a guardian, fairy-godmother - a symbol of protection. I knew she was more than whimsy. A year and half into working on this sculpture, I named her "the Guardian." She was to sit on Waveland's Beach Blvd. at our coastline and guard us from nature's storms. When I say that now, it's all gone, and it's harsh — very hard.

Weeks after naming her, I participated in a guided meditation where I had a gateway to traverse. Guess who was there? My sculpture piece had come to life in my imagination! She helped me through that doorway to a higher state.

Afterwards in a discussion of the meditation, the speaker referred to this "being" that helped us as "the Guardian." Imagine my thrill! I had named the piece before this ... and then the name was validated in meditation. It was beautiful. It tied this work into my spiritual life so boldly, showing me that this piece was bigger than anything I had done, literally and spiritually. I had seen many of my sculptures in meditation, but never with this naming phenomenon.

My sculpture installation in Waveland was to be August 30th. Of course, I was forced to postpone the delivery date. The hurricane hit and Waveland was destroyed; our house totally gone. Part of me felt like a failure because she wasn't there. She would have been hauled out to sea; or maybe done her job. But she is safe.

I have felt much pain and confusion over this. What did it mean to me? I have meditated many times and cried many tears.
Why have I seen her so clearly? Why has she named herself "the Guardian"? Why had she been missing from her spot of guarding ... a day late and a dollar short I would say many times, trying to make a joke. No joke for sure.

These thoughts have filled me since this awful, tragic hurricane. Haunting my soul...dampening my spirit. I know this storm was bigger than my sculpture piece could change. I don't kid myself. I also know how she had come to life for me ... how she was revealed to me. I believe she was sent to me, to us, by divine seeding. So I have spent many hours thinking, meditating, dreaming, asking God what does this all mean?

As I have pondered, a ray of light came to mind. A hope was born. I know for sure now that she was always meant to have this story. This is her tale. Part of her tale was to be a day late, to be a NEW hope, a new guardian. I have such intense feelings of gratitude to have been sent this treasure; this treasure of beauty conceived before tragedy but born into it. She has birthed within me a deep love for God, which was always growing, but now had this additional beauty to be my light, my hope, my guardian.

She is a symbol of hope for my future, our future. The sculpture I worked on for two years was my guardian. She was guiding my ability; guidance we all need to reach into this hope that we can go back, that our Gulf Coast can return and remain.

Pedestal in front garden.
We built the pedestal.
Pedestal awaits the Guardian.
We built the pedestal by pouring concrete into a construction form —
a large tube used for bridges or projects of the like.
On April 14th, 2006, we installed the pedestal in my front garden.
Click to The Guardian's arrival photos.

She came to New Orleans and was installed at the entrance to our home in April 2006. Here she begins her symbolic protection which we need now more than ever. She will be guardian of our hope here in New Orleans, dreams of our better future. "We are the stuff as dreams are made of." The world and our Gulf Coast are in need of guarding. She cannot protect all ... but she can inspire that sense within us.


My sculpture is about my own private and personal spiritual journey. As such, I have found it difficult to share at these deep levels. I felt that somehow to develop marketing strategies and illuminate these personal growth experiences would in some way be disrespectful. I have done my creative work for the pure joy of growing with the gifts divinely given to me, my creative skills, and my sculpture talents. I now understand that I create as my gift back, to God, to others, to my world. My work will never be about the pain and suffering. While those are extremely valuable tools of growth, my work will always express the beauty that we have ... that has been given us. It is time now to allow myself to shine with this beauty from the depth of my soul, spirit and from God...in an effort to share with others the beauty that God has given me to see. Let this beautiful piece shine as MY HOPE ... and whoever else wants her to shine as theirs.

Many encourage me to show and sell my art. I see it as phases of my life, not commercial production. She is a reflection of what I believe and how I feel .I am supposed to share "The Guardian." This is the path of my spiritual journey at present. Let's see where it will take me. — 31 March 2006
The Guardian: Six feet high, five feet wide; two and a half feet deep.
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© Copyright 2002-2008 Karen Cauvin Eustis. All rights reserved.